{"id":14579,"date":"2018-10-23T10:09:01","date_gmt":"2018-10-23T10:09:01","guid":{"rendered":"http:\/\/centralmedia.rs\/?p=14579"},"modified":"2018-10-25T06:40:22","modified_gmt":"2018-10-25T06:40:22","slug":"sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto","status":"publish","type":"post","link":"https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/","title":{"rendered":"SA SNIMANJA FILMA KRIZA SVESTI U \u0106UPRIJI I SVILAJNCU (FOTO)"},"content":{"rendered":"<p>\u0106UPRIJA, SVILAJNAC- Prvi kadrovi sa snimanja filma &#8220;Kriza svesti&#8221; u \u0106upriji i Svilajncu. Re\u010d je o kratkometra\u017enom igranom filmu, prva klapa filma pala je u Svilajncu, gde je Prirodnja\u010dki centar Srbije jedna od lokacija za snimanje, a nastavljeno je danas na \u0107upijskoj Autobuskoj stanici.<br \/>\nReditelj i scenarista je Stefan \u0110or\u0111evi\u0107 je istakao da je prezadovoljan uslovima za snimanje i da je plan da film prezentuju na internacionalnim festivalima. Film je specifi\u010dan i zbog toga \u0161to se snima na 16mm filmskoj traci \u0161to, prema re\u010dima reditelja, predstavlja zna\u010dajan iskorak u nacionalnoj kinematografiji i doprinosi vizuelnom identitetu ove drame.<br \/>\n\u201eKriza svesti\u201c prati putovanje oca i sina iz malog mesta u Beograd, a glavne uloge tuma\u010de glumac Igor Ben\u010dina u ulozi oca i desetogodi\u0161nji Marko Mati\u0107.<\/p>\n<div id='gallery-1' class='gallery galleryid-14579 gallery-columns-5 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/cuprija-1-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2018\/10\/cuprija-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/cuprija-2-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2018\/10\/cuprija-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/sv-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2018\/10\/sv-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/svp\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2018\/10\/svp-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2018\/10\/23\/sa-snimanja-filma-kriza-svesti-u-cupriji-i-svilajncu-foto\/svpc\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2018\/10\/svpc-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>\u0106UPRIJA, SVILAJNAC- Prvi kadrovi sa snimanja filma &#8220;Kriza svesti&#8221; u \u0106upriji i Svilajncu. Re\u010d je o kratkometra\u017enom igranom filmu, prva klapa filma pala je u &hellip; <\/p>\n","protected":false},"author":2,"featured_media":14580,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1515,1524,2,15,887,12],"tags":[44,2877,3236,38],"_links":{"self":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/14579"}],"collection":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/comments?post=14579"}],"version-history":[{"count":2,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/14579\/revisions"}],"predecessor-version":[{"id":14587,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/14579\/revisions\/14587"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/media\/14580"}],"wp:attachment":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/media?parent=14579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/categories?post=14579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/tags?post=14579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}