{"id":26974,"date":"2021-05-26T14:30:48","date_gmt":"2021-05-26T12:30:48","guid":{"rendered":"http:\/\/centralmedia.rs\/?p=26974"},"modified":"2021-05-30T16:29:23","modified_gmt":"2021-05-30T14:29:23","slug":"zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022","status":"publish","type":"post","link":"https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/","title":{"rendered":"Zapo\u010det projekat \u201cDigital Glass Serbia\u201d kao doprinos proslavi Me\u0111unarodne godine stakla 2022."},"content":{"rendered":"<p>PARA\u0106IN-Ujedinjene nacije proglasile su pro\u0161le nedelje 2022. godinu Me\u0111unarodnom godinom stakla sa ciljem afirmacije staklarstva <a href=\"https:\/\/undocs.org\/en\/A\/75\/L.84\">https:\/\/undocs.org\/en\/A\/75\/L.84<\/a> i to kroz istoriju i razvoj tehnologije, umetni\u010dko oblikovanje stakla, privredni zna\u010daj i revitalizaciju staklarstva kroz kreativno preduzetni\u0161tvo.Tim povodom Zavi\u010dajni muzej u Para\u0107inu, na \u010delu sa Tijanom Pe\u0161i\u0107 v.d. direktora, u saradnji sa Institutom za kreativno preduzetni\u0161tvo i inovacije inicirao je projekat digitalizacije nasle\u0111a Srpske fabrike stakla u Para\u0107inu, jedne od najve\u0107ih proizvo\u0111a\u010da stakla za doma\u0107instvo u biv\u0161oj Jugoslaviji i savremenih tokova srpskog stakla.<\/p>\n<div id='gallery-1' class='gallery galleryid-26974 gallery-columns-8 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/foto-ikpi-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/foto-IKPI-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/foto-ikpi-3\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/foto-IKPI-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/foto-ikpi-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/foto-IKPI-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/foto-ikpi-5\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/foto-IKPI-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/foto-ikpi\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/Foto-IKPI-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/sfs-iberfang-kobalt_foto-ikpi\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/sfs-iberfang-kobalt_foto-IKPI-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/sfs-paracin-foto-ikpi\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/SFS-Paracin-foto-IKPI-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/centralmedia.rs\/index.php\/2021\/05\/26\/zapocet-projekat-digital-glass-serbia-kao-doprinos-proslavi-medunarodne-godine-stakla-2022\/sfs-parcin-iberfang-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/centralmedia.rs\/wp-content\/uploads\/2021\/05\/SFS-Parcin-iberfang-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Zavi\u010dajni muzej u Para\u0107inu je oformio multidisciplinarni tim sa\u010dinjen od 4 vrhunska stru\u010dnjaka: Dr Hristina Miki\u0107, rukovodilac projekta, Institut za kreativno preduzetni\u0161tvo i inovacije,\u00a0 Dr Maja \u0106iri\u0107, nezavisna kustoskinja, Biljana Crkvenkovi\u0107, kustos Zbirke keramike, stakla i porcelana Muzeja primenjene umetnosti, Beograd i Zoran Levi\u0107, rukovodilac Slu\u017ebe konzervacije\/restauracije u Muzeju nauke i tehnike, Beograd, a koji se bave staklom iz razli\u010ditih uglova od umetni\u010dke obrade, privrednog razvoja i kreativnog preduzeni\u0161tva, tehnologije i\u00a0 proizvodnje, do savremenog umetni\u010dkog stakla i koji \u0107e zajedno sa zaposlenima u muzeju raditi na osmi\u0161ljavanju platforme, sistematizaciji, digitalizaciji, obradi i dokumentovanju stakla.<\/p>\n<p>Tijana Pe\u0161i\u0107 v.d. direktora ka\u017ee \u201cPlanirano je da u okviru projekta bude digitalizovano oko 80 primeraka stakla kroz 3D modelovanje predmeta fotometrijskom metodom, video animacijom, kao i rekonstrukcijom staklarskih predmeta koji ne postoje u fizi\u010dkom obliku kroz 3D modele bazirane na starim tehni\u010dkim crte\u017eima i modelima u katalozima koji se \u010duvaju u Zavi\u010dajnom muzeju. 3D primerci stakla omogu\u0107i\u0107e posetiocu platforme \u201cDigitalno staklo Srbija\u201d da se upozna sa predmetom i u digitalnom okru\u017eenju istra\u017euje tehnike oblikovanja i ukra\u0161avanja stakla. Planirno je da platforma ne predstavi samo predmete koji su u re\u017eimu za\u0161tite i posedu ustanova kulture, ve\u0107 i primerke\u00a0 reprezentativnog stakla koji se \u010duvaju u privatnim zbirkama, a koji su od zna\u010daja za sistematsko i celovito predstavljanje staklarske istorije i prakse.\u201d<\/p>\n<p>Srpska fabrika stakla u Para\u0107inu je me\u0111u prvim na\u0161im fabrikama razvila proizvodnju iberfang stakla, uspostavila radionicu za umetni\u010dko oblikovanje stakla i duvano staklo. Kasnije, dizajneri stakla pokrenuli su me\u0111unarodni simpozijum stakla na kome su neka od najzna\u010dajnijih imena doma\u0107e dizjanerske prakse razvijala svoje ideje, a u pogonu za ru\u010dno duvano staklo i realizovali.<\/p>\n<p>Branislav Stojanovi\u0107, ve\u0107nik za kulturu u op\u0161tini Para\u0107in isti\u010de \u201cOvo je idealna prilika da\u00a0\u00a0 bogato nasle\u0111e Srpske fabrike stakla (kao i drugih staklara u Srbiji) bude kona\u010dno istra\u017eeno, obra\u0111eno i sistematizovano. Posebno je va\u017eno da\u00a0 gra\u0111a o proizvodnom asortimanu staklare, predmetima\u00a0 i promenama u oblikovanju, dizajnu i umetni\u010dkoj obradi stakla postane vidljiva. Stoga je pokretanje plafrome \u201cDigitalno staklo Srbija\u201d (\u201cDigital Glass Serbia\u201d) i njena intenzivna promocija tokom UN me\u0111unarodne godine stakla, veoma zna\u010dajna za Srbiju, jer \u0107e na\u0161a zemlja biti u mogu\u0107nosti da prika\u017ee i u\u010dini dostupnim najzna\u010dajniju staklarsku praksu koja u kontinutitetu traje vi\u0161e od 100 godina.\u201d<\/p>\n<p>Dodatna vrednost ovog projekta je i u \u010dinjici da je staklo materijal koji je mogu\u0107e u potpunosti reciklirati i koji je naklonjen eko-kreativnoj ekonomiji.<\/p>\n<p>\u201cDigitalno staklo Srbija\u201d (Digital Glass Serbia) je okosnica projekta \u201cRevitalizuj i o\u017eivi staklarstvo\u201d koji je podr\u017ealo Ministarstvo kulture i informisanja u okviru konkursa za sufinansiranje programa iz oblasti digitalizacije.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PARA\u0106IN-Ujedinjene nacije proglasile su pro\u0161le nedelje 2022. godinu Me\u0111unarodnom godinom stakla sa ciljem afirmacije staklarstva https:\/\/undocs.org\/en\/A\/75\/L.84 i to kroz istoriju i razvoj tehnologije, umetni\u010dko oblikovanje &hellip; <\/p>\n","protected":false},"author":2,"featured_media":26975,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1524,2,15,1516,12],"tags":[1401,156,890,5162],"_links":{"self":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/26974"}],"collection":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/comments?post=26974"}],"version-history":[{"count":1,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/26974\/revisions"}],"predecessor-version":[{"id":26984,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/posts\/26974\/revisions\/26984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/media\/26975"}],"wp:attachment":[{"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/media?parent=26974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/categories?post=26974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/centralmedia.rs\/index.php\/wp-json\/wp\/v2\/tags?post=26974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}